Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 6
... unnatural deed of which a mother is capable . ' Well , she does say that . But is that all she says ? We can , at ... unnatural violence , and thus links with the insistence on ' unnatural deeds ' so pervasive throughout the play ...
... unnatural deed of which a mother is capable . ' Well , she does say that . But is that all she says ? We can , at ... unnatural violence , and thus links with the insistence on ' unnatural deeds ' so pervasive throughout the play ...
Pagina 7
... unnatural tension of the will ( ' I have no spur To prick the sides of my intent . . . ' ) which is certainly part of the play's dramatic substance , whatever our views about the nature of poetic drama . The lines , in short ...
... unnatural tension of the will ( ' I have no spur To prick the sides of my intent . . . ' ) which is certainly part of the play's dramatic substance , whatever our views about the nature of poetic drama . The lines , in short ...
Pagina 112
... unnatural perversion of the will , an obfusca- tion of the clear light of reason , a principle of disorder ( both in ... unnatural , even like the deed that's done ' , and so on ) but by the expression of unnatural sentiments and ...
... unnatural perversion of the will , an obfusca- tion of the clear light of reason , a principle of disorder ( both in ... unnatural , even like the deed that's done ' , and so on ) but by the expression of unnatural sentiments and ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words