Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 108
... true being of ' the other ' : it is perhaps this kind of impersonality - not a negation of personal consciousness but its heightening and fulfilment that is most insisted on in Edgar's strange phrase , ' Ripeness is all ' ( v . ii . 11 ) ...
... true being of ' the other ' : it is perhaps this kind of impersonality - not a negation of personal consciousness but its heightening and fulfilment that is most insisted on in Edgar's strange phrase , ' Ripeness is all ' ( v . ii . 11 ) ...
Pagina 171
... true things , and we feel that in his exchanges with Timon in IV , iii he makes a ' placing ' comment : " The middle of humanity thou never knewest , but the extremity of both ends . An thou hadst hated meddlers sooner , thou should'st ...
... true things , and we feel that in his exchanges with Timon in IV , iii he makes a ' placing ' comment : " The middle of humanity thou never knewest , but the extremity of both ends . An thou hadst hated meddlers sooner , thou should'st ...
Pagina 210
... true relationship . With this , I think , we reach the heart of the play . If , as I said earlier in these lectures , in the world of the play there is , on the one hand death , on the other , life lived with a peculiarly crude vigour ...
... true relationship . With this , I think , we reach the heart of the play . If , as I said earlier in these lectures , in the world of the play there is , on the one hand death , on the other , life lived with a peculiarly crude vigour ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words