Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina ix
... tragedies , and to see the tragedies themselves as in some sense the resolution of pressures and perplexities to be found in the plays that precede them . The procedure is almost inevitably highly selective ; most of the plays before ...
... tragedies , and to see the tragedies themselves as in some sense the resolution of pressures and perplexities to be found in the plays that precede them . The procedure is almost inevitably highly selective ; most of the plays before ...
Pagina 82
... tragedies , corresponding to equally marked differences of intention . Thus Othello , although a poetic drama , of which the success is determined by specifically poetic effects of language and symbolism , comes closer than any of the ...
... tragedies , corresponding to equally marked differences of intention . Thus Othello , although a poetic drama , of which the success is determined by specifically poetic effects of language and symbolism , comes closer than any of the ...
Pagina 110
... tragedies , is in strictly poetic and dramatic terms . It is certainly not an abstract formulation , but lies rather in the drawing out of necessary consequences and implications of that lust both in the external and the spiritual ...
... tragedies , is in strictly poetic and dramatic terms . It is certainly not an abstract formulation , but lies rather in the drawing out of necessary consequences and implications of that lust both in the external and the spiritual ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words