Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 88
... Thou rascal beadle , hold thy bloody hand ! Why dost thou lash that whore ? Strip thine own back ... ( Iv . vi . 162 ff . ) lust and sadism are — with superb insight - identified . The world of appearances is based on artificial and ...
... Thou rascal beadle , hold thy bloody hand ! Why dost thou lash that whore ? Strip thine own back ... ( Iv . vi . 162 ff . ) lust and sadism are — with superb insight - identified . The world of appearances is based on artificial and ...
Pagina 89
... Thou ow'st the worm no silk , the beast no hide , the sheep no wool , the cat no perfume . Ha ! here's three on's are sophisticated ; thou art the thing itself ; unaccommodated man is no more but such a poor , bare , forked animal as thou ...
... Thou ow'st the worm no silk , the beast no hide , the sheep no wool , the cat no perfume . Ha ! here's three on's are sophisticated ; thou art the thing itself ; unaccommodated man is no more but such a poor , bare , forked animal as thou ...
Pagina 91
... thou bloody hand , Thou perjur'd , and thou simular of virtue That art 91 ' KING LEAR '
... thou bloody hand , Thou perjur'd , and thou simular of virtue That art 91 ' KING LEAR '
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words