Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 17
... things as they are , of human beings as they are . But such phrases only serve our turn when we have asked questions about them . When we speak of things as they are , of people as they are , what do we mean ? Well , we mean to start ...
... things as they are , of human beings as they are . But such phrases only serve our turn when we have asked questions about them . When we speak of things as they are , of people as they are , what do we mean ? Well , we mean to start ...
Pagina 127
... things we are for that which we expect ; And this ambitious foul infirmity , In having much , torments us with defect Of that we have : so then we do neglect The things we have , and , all for want of wit , Make something nothing by ...
... things we are for that which we expect ; And this ambitious foul infirmity , In having much , torments us with defect Of that we have : so then we do neglect The things we have , and , all for want of wit , Make something nothing by ...
Pagina 171
... thing we are told about Apemantus is that he is one ' that few things loves better Than to abhor himself ' . The question that we find ourselves pondering , therefore , as we read this play , is - In what ways is a statement , true in ...
... thing we are told about Apemantus is that he is one ' that few things loves better Than to abhor himself ' . The question that we find ourselves pondering , therefore , as we read this play , is - In what ways is a statement , true in ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words