Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 48
... theme of times past - part memory , part make - believe — is taken up again . ' Doth she hold her own well ? ' Shallow asks Falstaff of Jane Nightwork . FALSTAFF . Old , old , Master Shallow . SHALLOW . Nay , she must be old ; she ...
... theme of times past - part memory , part make - believe — is taken up again . ' Doth she hold her own well ? ' Shallow asks Falstaff of Jane Nightwork . FALSTAFF . Old , old , Master Shallow . SHALLOW . Nay , she must be old ; she ...
Pagina 55
... an honest and energetic spirit is forced to ask himself what is solid and enduring in the flux . There is always the risk of anticipating and imposing where 55 The Theme of Appearance and Reality in Troilus and Cressida.
... an honest and energetic spirit is forced to ask himself what is solid and enduring in the flux . There is always the risk of anticipating and imposing where 55 The Theme of Appearance and Reality in Troilus and Cressida.
Pagina 182
... theme ' ' is death of fathers ' , and reason > still hath cried , From the first corse [ ironically Abel's ] till he that died to - day , " This must be so ' . From this until the Play scene the theme is mainly expressed by Hamlet , but ...
... theme ' ' is death of fathers ' , and reason > still hath cried , From the first corse [ ironically Abel's ] till he that died to - day , " This must be so ' . From this until the Play scene the theme is mainly expressed by Hamlet , but ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words