Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 65
... stand firm by honour .. ( 11. ii . 61-8 ) Yet what could be more absurd than to speak of the senses as mediating between the judgment and the will ? It is the judgment that is the pilot or mediator between the senses and the will ...
... stand firm by honour .. ( 11. ii . 61-8 ) Yet what could be more absurd than to speak of the senses as mediating between the judgment and the will ? It is the judgment that is the pilot or mediator between the senses and the will ...
Pagina 100
... stand on loyalties and sympathies that are quite outside the scope of any prudential calculus . Like Gloucester , though in a very different way , the Fool is directed towards an affirmation . Both the Fool and Gloucester stand in a ...
... stand on loyalties and sympathies that are quite outside the scope of any prudential calculus . Like Gloucester , though in a very different way , the Fool is directed towards an affirmation . Both the Fool and Gloucester stand in a ...
Pagina 104
... stand against the full shock of disillusion . When Lear , dressed in ' fresh garments ' and to the accompaniment of music ( the symbolism is im- portant ) is brought into her presence , there follows one of the most tender and moving ...
... stand against the full shock of disillusion . When Lear , dressed in ' fresh garments ' and to the accompaniment of music ( the symbolism is im- portant ) is brought into her presence , there follows one of the most tender and moving ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words