Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 11
... stage performance : although we are perhaps less certain than we thought we were about some important details , we do know a good deal about the Elizabethan public theatres [ 10 ] ; and what we know may be summed up by saying that the stage ...
... stage performance : although we are perhaps less certain than we thought we were about some important details , we do know a good deal about the Elizabethan public theatres [ 10 ] ; and what we know may be summed up by saying that the stage ...
Pagina 107
... stage - direction : ' Enter Lear , with Cordelia dead in his arms ' . The scene of Lear's final anguish is so painful that criticism hesitates to fumble with it : where no one can remain unaffected the critic's business is to supply ...
... stage - direction : ' Enter Lear , with Cordelia dead in his arms ' . The scene of Lear's final anguish is so painful that criticism hesitates to fumble with it : where no one can remain unaffected the critic's business is to supply ...
Pagina 239
... stage tyrant's tortores ) might hap to break his head , and worthy , for marring of the play . And so they ( the citizens ) said that these matters be King's games , as it were stage plays , and for the more part played upon scaffolds ...
... stage tyrant's tortores ) might hap to break his head , and worthy , for marring of the play . And so they ( the citizens ) said that these matters be King's games , as it were stage plays , and for the more part played upon scaffolds ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words