Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 118
... spirit . And between ' natural law ' as traditionally understood ( i.e. , reason ) and the law of nature by which , as Falstaff lightly remarked , the young dace is a bait for the old pike , there is an absolute distinction . All this ...
... spirit . And between ' natural law ' as traditionally understood ( i.e. , reason ) and the law of nature by which , as Falstaff lightly remarked , the young dace is a bait for the old pike , there is an absolute distinction . All this ...
Pagina 163
... spirit , Of human dealings .. The question at the heart of the play is , in the moral world , the world of human relationships , what can we know ? The answer is , we know only what our habitual categories and modes of thought - formed ...
... spirit , Of human dealings .. The question at the heart of the play is , in the moral world , the world of human relationships , what can we know ? The answer is , we know only what our habitual categories and modes of thought - formed ...
Pagina 187
... spirit ' . Both these adjectives may mean no more than wandering out of bounds or stray- ing , but the immediately following lines suggest rather more than this . It faded on the crowing of the cock . Some say that ever ' gainst that ...
... spirit ' . Both these adjectives may mean no more than wandering out of bounds or stray- ing , but the immediately following lines suggest rather more than this . It faded on the crowing of the cock . Some say that ever ' gainst that ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words