Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 27
... speech as a whole , with its racy colloquial turns and shrewd realism , is the pivot on which the play turns . Indeed , so far as any one speech can , it sums up Shakespeare's view of the public world at this stage of his career . King ...
... speech as a whole , with its racy colloquial turns and shrewd realism , is the pivot on which the play turns . Indeed , so far as any one speech can , it sums up Shakespeare's view of the public world at this stage of his career . King ...
Pagina 59
... speech until his imagination catches fire at the vision of the ' chaos ' consequent on the unchecked exercise of ' appetite ' . The speech , it is true , is one to keep hold of in reading the play as representing , in its way , a ...
... speech until his imagination catches fire at the vision of the ' chaos ' consequent on the unchecked exercise of ' appetite ' . The speech , it is true , is one to keep hold of in reading the play as representing , in its way , a ...
Pagina 137
... speech in which this phrase occurs ( IV . xii . 9-30 ) is one of the pivotal things in the play . In its evocation of an appalled sense of insubstantiality it ranks with Macbeth's , ' My thought , whose murder yet is but fantastical ...
... speech in which this phrase occurs ( IV . xii . 9-30 ) is one of the pivotal things in the play . In its evocation of an appalled sense of insubstantiality it ranks with Macbeth's , ' My thought , whose murder yet is but fantastical ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words