Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 213
... soliloquy have some 440 lines of small - type com- mentary . ) Another reason is that the speech is almost too well - known for its features to be seen distinctly , as Charles Lamb said : I confess myself utterly unable to appreciate ...
... soliloquy have some 440 lines of small - type com- mentary . ) Another reason is that the speech is almost too well - known for its features to be seen distinctly , as Charles Lamb said : I confess myself utterly unable to appreciate ...
Pagina 222
... soliloquy does in short is to bring to a head our recognition of the dependence of thought on deeper levels of conscious- ness , and to make plain beyond all doubt that the set of Hamlet's consciousness is towards a region where no ...
... soliloquy does in short is to bring to a head our recognition of the dependence of thought on deeper levels of conscious- ness , and to make plain beyond all doubt that the set of Hamlet's consciousness is towards a region where no ...
Pagina 225
... soliloquy can only be to define one further stage in the withdrawal of Hamlet's consciousness , a sacrifice of reason to a fantasy of quite unreflective destructive action ; and indeed the soliloquy ends with explicit emphasis- O , from ...
... soliloquy can only be to define one further stage in the withdrawal of Hamlet's consciousness , a sacrifice of reason to a fantasy of quite unreflective destructive action ; and indeed the soliloquy ends with explicit emphasis- O , from ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
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action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely mind moral murder nature particular passage perhaps phrase play poetry political present Professor question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth values whole