Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 213
... soliloquy have some 440 lines of small - type com- mentary . ) Another reason is that the speech is almost too well - known for its features to be seen distinctly , as Charles Lamb said : I confess myself utterly unable to appreciate ...
... soliloquy have some 440 lines of small - type com- mentary . ) Another reason is that the speech is almost too well - known for its features to be seen distinctly , as Charles Lamb said : I confess myself utterly unable to appreciate ...
Pagina 222
... soliloquy does in short is to bring to a head our recognition of the dependence of thought on deeper levels of conscious- ness , and to make plain beyond all doubt that the set of Hamlet's consciousness is towards a region where no ...
... soliloquy does in short is to bring to a head our recognition of the dependence of thought on deeper levels of conscious- ness , and to make plain beyond all doubt that the set of Hamlet's consciousness is towards a region where no ...
Pagina 225
... soliloquy can only be to define one further stage in the withdrawal of Hamlet's consciousness , a sacrifice of reason to a fantasy of quite unreflective destructive action ; and indeed the soliloquy ends with explicit emphasis- O , from ...
... soliloquy can only be to define one further stage in the withdrawal of Hamlet's consciousness , a sacrifice of reason to a fantasy of quite unreflective destructive action ; and indeed the soliloquy ends with explicit emphasis- O , from ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words