Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 51
... simply that Shakespeare , like Chaucer , is not afraid of his spontaneous feelings , and his feelings are not - so to speak -afraid of each other . Here , then , is one way in which the insistent elegiac note is both qualified and ...
... simply that Shakespeare , like Chaucer , is not afraid of his spontaneous feelings , and his feelings are not - so to speak -afraid of each other . Here , then , is one way in which the insistent elegiac note is both qualified and ...
Pagina 72
... simply , How do men come to give themselves to appearances ? It is easy enough to see that the ' public ' world evoked by Ulysses is a world of appearance , and to sense its limitations . But what of Troilus and his love ? Professor ...
... simply , How do men come to give themselves to appearances ? It is easy enough to see that the ' public ' world evoked by Ulysses is a world of appearance , and to sense its limitations . But what of Troilus and his love ? Professor ...
Pagina 230
... simply preparedness for death but that quality for which Sir Thomas Elyot , declaring that English lacked a name for it , had taken from Latin the word ' maturity ' . ' Maturum ' in Latin may be interpreted ripe or ready , as fruit when ...
... simply preparedness for death but that quality for which Sir Thomas Elyot , declaring that English lacked a name for it , had taken from Latin the word ' maturity ' . ' Maturum ' in Latin may be interpreted ripe or ready , as fruit when ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words