Some Shakespearean Themes |
Din interiorul cărții
Rezultatele 1 - 3 din 44
Pagina 51
There is nothing facile in Shakespeare's charity ; it is simply that Shakespeare , like Chaucer , is not afraid of his spontaneous feelings , and his feelings are not - so to speak -afraid of each other .
There is nothing facile in Shakespeare's charity ; it is simply that Shakespeare , like Chaucer , is not afraid of his spontaneous feelings , and his feelings are not - so to speak -afraid of each other .
Pagina 72
Now Troilus and Cressida raises a further question , which is simply , How do men come to give themselves to appearances ? It is easy enough to see that the ' public ' world evoked by Ulysses is a world of appearance , and to sense its ...
Now Troilus and Cressida raises a further question , which is simply , How do men come to give themselves to appearances ? It is easy enough to see that the ' public ' world evoked by Ulysses is a world of appearance , and to sense its ...
Pagina 230
kind ; it is simply part of his supreme intelligence ; charity is not the less charity for being undeceived . In this sense , then , there is irony — a deeply tragic irony— in each of the scenes to which I just now referred .
kind ; it is simply part of his supreme intelligence ; charity is not the less charity for being undeceived . In this sense , then , there is irony — a deeply tragic irony— in each of the scenes to which I just now referred .
Ce spun oamenii - Scrie o recenzie
Nu am găsit nicio recenzie în locurile obișnuite.
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
5 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely mind moral murder nature particular passage perhaps phrase play poetry political present Professor question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth values whole