Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 51
... simply that Shakespeare , like Chaucer , is not afraid of his spontaneous feelings , and his feelings are not - so to speak -afraid of each other . Here , then , is one way in which the insistent elegiac note is both qualified and ...
... simply that Shakespeare , like Chaucer , is not afraid of his spontaneous feelings , and his feelings are not - so to speak -afraid of each other . Here , then , is one way in which the insistent elegiac note is both qualified and ...
Pagina 72
... simply , How do men come to give themselves to appearances ? It is easy enough to see that the ' public ' world evoked by Ulysses is a world of appearance , and to sense its limitations . But what of Troilus and his love ? Professor ...
... simply , How do men come to give themselves to appearances ? It is easy enough to see that the ' public ' world evoked by Ulysses is a world of appearance , and to sense its limitations . But what of Troilus and his love ? Professor ...
Pagina 230
... simply preparedness for death but that quality for which Sir Thomas Elyot , declaring that English lacked a name for it , had taken from Latin the word ' maturity ' . ' Maturum ' in Latin may be interpreted ripe or ready , as fruit when ...
... simply preparedness for death but that quality for which Sir Thomas Elyot , declaring that English lacked a name for it , had taken from Latin the word ' maturity ' . ' Maturum ' in Latin may be interpreted ripe or ready , as fruit when ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
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action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely mind moral murder nature particular passage perhaps phrase play poetry political present Professor question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth values whole