Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 74
... significance as I see it . But before passing from the one to the other , and as a convenient way of bringing to focus this intrinsic significance , I should like briefly to consider the play in its third aspect , as indicating a stage ...
... significance as I see it . But before passing from the one to the other , and as a convenient way of bringing to focus this intrinsic significance , I should like briefly to consider the play in its third aspect , as indicating a stage ...
Pagina 131
... significance it cannot have in the world of mere meaningless repetition that he goes on to evoke [ 21 ] . As a final irony this is the world where when a thing is done it is merely - ' alms for oblivion'— done with , because it is a ...
... significance it cannot have in the world of mere meaningless repetition that he goes on to evoke [ 21 ] . As a final irony this is the world where when a thing is done it is merely - ' alms for oblivion'— done with , because it is a ...
Pagina 193
... significance in that all . Now Hamlet's exclusive concentration upon things rank and gross and his consequent recoil from life as a whole determine his attitude to death , which also is purely one of negation . Some contrasts may help ...
... significance in that all . Now Hamlet's exclusive concentration upon things rank and gross and his consequent recoil from life as a whole determine his attitude to death , which also is purely one of negation . Some contrasts may help ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words