Some Shakespearean themesChatto & Windus, 1966 - 183 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 61
Pagina 43
... scene is attuned to the appearance of a Falstaff who seems , at first perplex- ingly , to be both the same figure as before and yet another : it is as though we had given a further twist to the screw of our binoculars and a figure that ...
... scene is attuned to the appearance of a Falstaff who seems , at first perplex- ingly , to be both the same figure as before and yet another : it is as though we had given a further twist to the screw of our binoculars and a figure that ...
Pagina 142
... scene of the play , Coriolanus's prowess is mentioned , we are told , ' He did it to please his mother , and to be partly proud ' ( 1. i . 37-8 ) . Almost immediately after the first public appearance of the hero , we are given a ...
... scene of the play , Coriolanus's prowess is mentioned , we are told , ' He did it to please his mother , and to be partly proud ' ( 1. i . 37-8 ) . Almost immediately after the first public appearance of the hero , we are given a ...
Pagina 182
... scene i - the scene with the grave - diggers . Here , as so often in Shakespeare , a dominant theme entwined in a complex action is for a short space given full and exclusive prominence . • • • a What is he that builds stronger than ...
... scene i - the scene with the grave - diggers . Here , as so often in Shakespeare , a dominant theme entwined in a complex action is for a short space given full and exclusive prominence . • • • a What is he that builds stronger than ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
5 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words