Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 43
... references to age and disease , as the references to Falstaff's corpulence are turned in Part I , in the direction of comedy [ 5 ] . Later , Falstaff will try again his familiar tactics of evasion- ' Peace , good Doll ! do not speak ...
... references to age and disease , as the references to Falstaff's corpulence are turned in Part I , in the direction of comedy [ 5 ] . Later , Falstaff will try again his familiar tactics of evasion- ' Peace , good Doll ! do not speak ...
Pagina 243
... references in which both parts of this play abound ( see Richmond Noble , Shakespeare's Biblical Knowledge , pp . 169-81 ) seem to me to take on a more severe significance in Part II ; in the scene under consideration the references to ...
... references in which both parts of this play abound ( see Richmond Noble , Shakespeare's Biblical Knowledge , pp . 169-81 ) seem to me to take on a more severe significance in Part II ; in the scene under consideration the references to ...
Pagina 252
... References to Enid Welsford , The Fool : his Social and Literary History , are to pp . 253 ff . I am conscious of a very considerable debt to Miss Welsford's promptings . 24. For Kent , Lear is not only the embodiment of ' authority ...
... References to Enid Welsford , The Fool : his Social and Literary History , are to pp . 253 ff . I am conscious of a very considerable debt to Miss Welsford's promptings . 24. For Kent , Lear is not only the embodiment of ' authority ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
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action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely mind moral murder nature particular passage perhaps phrase play poetry political present Professor question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth values whole