Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 65
... reason - ' Nay , if we talk of reason , let's shut our gates and sleep ' ( II . ii . 46-7 ) —we need not waste time trying to find a moral or psychological system that will make sense of the ' traded pilots ' and the ' dangerous shores ...
... reason - ' Nay , if we talk of reason , let's shut our gates and sleep ' ( II . ii . 46-7 ) —we need not waste time trying to find a moral or psychological system that will make sense of the ' traded pilots ' and the ' dangerous shores ...
Pagina 70
... reason ' — has been finally shown as subject to time and change . And he now embodies in his own person the disorder ... reason can revolt Without perdition , and loss assume all reason Without revolt : this is , and is not , Cressid ...
... reason ' — has been finally shown as subject to time and change . And he now embodies in his own person the disorder ... reason can revolt Without perdition , and loss assume all reason Without revolt : this is , and is not , Cressid ...
Pagina 188
... reason to suppose that Shakespeare entertained some grave doubts about him . when This , however , is to anticipate . All we can say the first scene ends is that the play has given us reason to be suspicious of the Ghost . When in scene ...
... reason to suppose that Shakespeare entertained some grave doubts about him . when This , however , is to anticipate . All we can say the first scene ends is that the play has given us reason to be suspicious of the Ghost . When in scene ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words