Some Shakespearean themesChatto & Windus, 1966 - 183 pagini |
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Pagina vii
... Reality in Troilus and Cressida ix 3 16 35 55 v King Lear VI Macbeth 74 IIO VII Anthony and Cleopatra and Coriolanus Conclusion An Approach to Hamlet 133 147 153 Notes to Some Shakespearean Themes 237 Foreword HIS book is based on the ...
... Reality in Troilus and Cressida ix 3 16 35 55 v King Lear VI Macbeth 74 IIO VII Anthony and Cleopatra and Coriolanus Conclusion An Approach to Hamlet 133 147 153 Notes to Some Shakespearean Themes 237 Foreword HIS book is based on the ...
Pagina 55
... reality . With death , because it is the supreme instance of the disturbing and thwarting aspects of time's action . With appearance and reality because the mere passage of time -whose million'd accidents Creep in ' twixt vows , and ...
... reality . With death , because it is the supreme instance of the disturbing and thwarting aspects of time's action . With appearance and reality because the mere passage of time -whose million'd accidents Creep in ' twixt vows , and ...
Pagina 67
... play through an analysis of the more direct presentation of its major themes in the crucial passages that we have examined . It is difficult to say exactly how we experience the play , not as a 67 APPEARANCE AND REALITY.
... play through an analysis of the more direct presentation of its major themes in the crucial passages that we have examined . It is difficult to say exactly how we experience the play , not as a 67 APPEARANCE AND REALITY.
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words