Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 43
... present on the stage , has certainly been present to the minds of the audience . ' Is not . . . every part about you blasted with antiquity ? ' - to that question wit in its wantonness must make what reply it can . Scene iii , where ...
... present on the stage , has certainly been present to the minds of the audience . ' Is not . . . every part about you blasted with antiquity ? ' - to that question wit in its wantonness must make what reply it can . Scene iii , where ...
Pagina 48
... present to us , built up little by little with unobtrusive art . But the scene is drenched in memory . In the first fifty lines , as Shallow recalls the poor pranks of his mad days at Clement's Inn , the exploits of young Jack Falstaff ...
... present to us , built up little by little with unobtrusive art . But the scene is drenched in memory . In the first fifty lines , as Shallow recalls the poor pranks of his mad days at Clement's Inn , the exploits of young Jack Falstaff ...
Pagina 63
... present eye praises the present object : Then marvel not , thou great and complete man , That all the Greeks begin to worship Ajax ; Since things in motion sooner catch the eye Than what not stirs . The cry went once on thee , And still ...
... present eye praises the present object : Then marvel not , thou great and complete man , That all the Greeks begin to worship Ajax ; Since things in motion sooner catch the eye Than what not stirs . The cry went once on thee , And still ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words