Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 70
... possible to consider this poetry dispassionately . The powerful varied rhythms , the marked transition from the quasi - logical manner of the opening to the muscular and vividly sensory imagery of the close , the impossibility of ...
... possible to consider this poetry dispassionately . The powerful varied rhythms , the marked transition from the quasi - logical manner of the opening to the muscular and vividly sensory imagery of the close , the impossibility of ...
Pagina 107
... possible juxta- position of rival conceptions of ' Nature ' . In the Edmund- Goneril - Regan group the philosophy of natural impulse and egotism has been revealed as self - consuming , its claim to represent strength as a self - bred ...
... possible juxta- position of rival conceptions of ' Nature ' . In the Edmund- Goneril - Regan group the philosophy of natural impulse and egotism has been revealed as self - consuming , its claim to represent strength as a self - bred ...
Pagina 259
... possible other case ' is borrowed from Henry James , who says of irony that it ' implies and projects the possible other case , the case rich and edifying , where the actuality is pretentious and vain ' -Preface to The Lesson of the ...
... possible other case ' is borrowed from Henry James , who says of irony that it ' implies and projects the possible other case , the case rich and edifying , where the actuality is pretentious and vain ' -Preface to The Lesson of the ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words