Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 35
... poet that he is . But buoyancy alone never made a great poet , let alone a great tragic poet . Great poetry demands a willing- ness to meet , experience and contemplate all that is most deeply disturbing in our common fate . The sense ...
... poet that he is . But buoyancy alone never made a great poet , let alone a great tragic poet . Great poetry demands a willing- ness to meet , experience and contemplate all that is most deeply disturbing in our common fate . The sense ...
Pagina 188
... poet could ? -allows convention to shape his essential matter . I cannot believe that the poet who was going on to write Measure for Measure ( perhaps his next play ) , which is about forgiveness , who was going on to create the figure ...
... poet could ? -allows convention to shape his essential matter . I cannot believe that the poet who was going on to write Measure for Measure ( perhaps his next play ) , which is about forgiveness , who was going on to create the figure ...
Pagina 237
... poet . ' I suppose that this , from T. S. Eliot's essay on John Ford- Selected Essays ( 1932 ) , p . 196 — would now be generally accepted . It is in this essay that Mr Eliot speaks of the different works of a great poet as ' united by ...
... poet . ' I suppose that this , from T. S. Eliot's essay on John Ford- Selected Essays ( 1932 ) , p . 196 — would now be generally accepted . It is in this essay that Mr Eliot speaks of the different works of a great poet as ' united by ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
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action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words