Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina ix
... play he chose to present one kind of person , one kind of plot , rather than another because in that way he could best express his sense of life's mean- ings . As M. Fluchère has said , From play to play ... the themes become more and ...
... play he chose to present one kind of person , one kind of plot , rather than another because in that way he could best express his sense of life's mean- ings . As M. Fluchère has said , From play to play ... the themes become more and ...
Pagina 28
... play as a whole is anything but a simple patriotic play ; nor is it merely a play about past history ; it is a play about international politics , which are seen with com- plete realism through the eyes of the Bastard . In the plays ...
... play as a whole is anything but a simple patriotic play ; nor is it merely a play about past history ; it is a play about international politics , which are seen with com- plete realism through the eyes of the Bastard . In the plays ...
Pagina 239
... play . And so they ( the citizens ) said that these matters be King's games , as it were stage plays , and for the more part played upon scaffolds . In which poor men be but the lookers - on . And they that be wise will meddle no ...
... play . And so they ( the citizens ) said that these matters be King's games , as it were stage plays , and for the more part played upon scaffolds . In which poor men be but the lookers - on . And they that be wise will meddle no ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words