Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 15
... pattern of development that makes sense : it is not the only pattern , for what we see depends partly at least on the set of our own interests , and different generations , different indivi- duals , ask different questions of any work ...
... pattern of development that makes sense : it is not the only pattern , for what we see depends partly at least on the set of our own interests , and different generations , different indivi- duals , ask different questions of any work ...
Pagina 19
... pattern ) [ 3 ] is increasingly qualified by reality breaking in . To say this does not of course mean that there is a simple progress from ' convention ' to naturalism ; it means that within the formal pattern Shakespeare can make us ...
... pattern ) [ 3 ] is increasingly qualified by reality breaking in . To say this does not of course mean that there is a simple progress from ' convention ' to naturalism ; it means that within the formal pattern Shakespeare can make us ...
Pagina 194
Lionel Charles Knights. the man convinced of spiritual values life is a coherent pattern in which the ending has its due place and , because it is part of a pattern , itself leads into the beginning . An over - strong terror of death is ...
Lionel Charles Knights. the man convinced of spiritual values life is a coherent pattern in which the ending has its due place and , because it is part of a pattern , itself leads into the beginning . An over - strong terror of death is ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words