Some Shakespearean themesChatto & Windus, 1966 - 183 pagini |
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Pagina 219
... passage I have just given . Not indeed that evil deeds and evil passions do not exist ; it is simply that they lead away from what all men naturally desire , and for which goodness and being are alternative names.1 Neither do I offer ...
... passage I have just given . Not indeed that evil deeds and evil passions do not exist ; it is simply that they lead away from what all men naturally desire , and for which goodness and being are alternative names.1 Neither do I offer ...
Pagina 245
... passage in Alcibiades , 1. 126. Whether Shakespeare derived his knowledge directly from a Latin version of Plato or mediately from another source does not concern us here . Mr W. J. Craig ( I again draw on the Arden note ) pointed out ...
... passage in Alcibiades , 1. 126. Whether Shakespeare derived his knowledge directly from a Latin version of Plato or mediately from another source does not concern us here . Mr W. J. Craig ( I again draw on the Arden note ) pointed out ...
Pagina 254
... passage is quoted in Edgar C. Knowlton's ' Nature and Shake- speare ' ( P.M.L.A. , LI , 1936 , pp . 718 ff . ) , which sees Shakespeare's conception of Nature in relation to traditional thought , and lists many interesting passages . 7 ...
... passage is quoted in Edgar C. Knowlton's ' Nature and Shake- speare ' ( P.M.L.A. , LI , 1936 , pp . 718 ff . ) , which sees Shakespeare's conception of Nature in relation to traditional thought , and lists many interesting passages . 7 ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words