Some Shakespearean Themes |
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Pagina ix
Each drama , each comedy raises one or more problems — not only those of the particular play but those resulting from an ever more serious applica- tion of thought , seconded by emotion , to the infinitely various aspects of the human ...
Each drama , each comedy raises one or more problems — not only those of the particular play but those resulting from an ever more serious applica- tion of thought , seconded by emotion , to the infinitely various aspects of the human ...
Pagina 42
Each of the three scenes of the first act gives a particular emphasis to elements present in Part I , though largely subdued there by the brisker tone , by the high - spirited satire . Now the proportions are altered .
Each of the three scenes of the first act gives a particular emphasis to elements present in Part I , though largely subdued there by the brisker tone , by the high - spirited satire . Now the proportions are altered .
Pagina 108
It has been argued here that at the centre of the action is the complete endorse- ment of a particular quality of being . We may call it love so long as we remember that it is not simply an emotion , and that , although deeply personal ...
It has been argued here that at the centre of the action is the complete endorse- ment of a particular quality of being . We may call it love so long as we remember that it is not simply an emotion , and that , although deeply personal ...
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Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely mind moral murder nature particular passage perhaps phrase play poetry political present Professor question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth values whole