Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina ix
... particular audience . Shakespeare however could have satisfied his audience in very different ways from those that he did in fact choose to follow , so it does not seem rash to assume that he wrote about what interested him . I have ...
... particular audience . Shakespeare however could have satisfied his audience in very different ways from those that he did in fact choose to follow , so it does not seem rash to assume that he wrote about what interested him . I have ...
Pagina 42
... particular emphasis to elements present in Part I , though largely subdued there by the brisker tone , by the high - spirited satire . Now the proportions are altered . Act I , scene i is not comic satire : it is a harsh reminder of ...
... particular emphasis to elements present in Part I , though largely subdued there by the brisker tone , by the high - spirited satire . Now the proportions are altered . Act I , scene i is not comic satire : it is a harsh reminder of ...
Pagina 108
... particular quality of being . We may call it love so long as we remember that it is not simply an emotion , and that , although deeply personal , it has also the imper- sonality that comes from a self - forgetful concentration ...
... particular quality of being . We may call it love so long as we remember that it is not simply an emotion , and that , although deeply personal , it has also the imper- sonality that comes from a self - forgetful concentration ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely mind moral murder nature particular passage perhaps phrase play poetry political present Professor question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth values whole