Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 21
Pagina 8
... night's ' black contagious breath ' . And in the two and a half lines from Macbeth there is more going on than in the three lines from King John . Not only is the coming on of night vividly evoked , and with it a sensation of moral ...
... night's ' black contagious breath ' . And in the two and a half lines from Macbeth there is more going on than in the three lines from King John . Not only is the coming on of night vividly evoked , and with it a sensation of moral ...
Pagina 129
... Night ' , ' Come , seeling Night . . . ' ) , and to the extent that they surrender the characteristically human power of intellectual and moral discernment they themselves become the ' prey ' of ' Night's black agents ' , of the powers ...
... Night ' , ' Come , seeling Night . . . ' ) , and to the extent that they surrender the characteristically human power of intellectual and moral discernment they themselves become the ' prey ' of ' Night's black agents ' , of the powers ...
Pagina 187
... night long ; And then , they say , no spirit dare stir abroad ; The nights are wholesome ; then no planets strike , No fairy takes , nor witch hath power to charm , So hallow'd and so gracious is that time . Now I cannot believe that ...
... night long ; And then , they say , no spirit dare stir abroad ; The nights are wholesome ; then no planets strike , No fairy takes , nor witch hath power to charm , So hallow'd and so gracious is that time . Now I cannot believe that ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
5 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words