Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 52
... moral at any price . Shakespeare never explicitly points a moral ; and it will be some years before he fully reveals in terms of the awakened imagina- tion why those that follow their noses are led by their eyes , or what it really ...
... moral at any price . Shakespeare never explicitly points a moral ; and it will be some years before he fully reveals in terms of the awakened imagina- tion why those that follow their noses are led by their eyes , or what it really ...
Pagina 129
... moral discernment they themselves become the ' prey ' of ' Night's black agents ' , of the powers they have deliberately invoked [ 19 ] . Automatism is perhaps most obvious in Lady Macbeth's sleep - walking , with its obsessed reliving ...
... moral discernment they themselves become the ' prey ' of ' Night's black agents ' , of the powers they have deliberately invoked [ 19 ] . Automatism is perhaps most obvious in Lady Macbeth's sleep - walking , with its obsessed reliving ...
Pagina 249
... moral order in the universe are not determined until the end of the play ' ; whereas , on the contrary , " The reader knows from the outset , and does not have to wait for the ultimate dissolution of a system of dichotomies to learn ...
... moral order in the universe are not determined until the end of the play ' ; whereas , on the contrary , " The reader knows from the outset , and does not have to wait for the ultimate dissolution of a system of dichotomies to learn ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words