Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 9
... mind of the reader is thoroughly ' roused and awakened ' [ 7 ] , that meanings from below the level of ' plot ' and ' character ' take form as a living struc- ture . If that structure of meaning seems especially closely connected with ...
... mind of the reader is thoroughly ' roused and awakened ' [ 7 ] , that meanings from below the level of ' plot ' and ' character ' take form as a living struc- ture . If that structure of meaning seems especially closely connected with ...
Pagina 12
... mind . ' No Elizabethan plays achieved or aimed at a formalism of that kind . But by a happy combination of circum- stances some degree of formalism was inevitable . And the advantages of formalism , for dramatist and spectators , are ...
... mind . ' No Elizabethan plays achieved or aimed at a formalism of that kind . But by a happy combination of circum- stances some degree of formalism was inevitable . And the advantages of formalism , for dramatist and spectators , are ...
Pagina 211
... Mind : 1 up Yet a further condition of the creative growth of the mind is moral integrity . . . Our thinking is bound with our characters as morally responsible people . Yet Coleridge can distinguish between the kind of ...
... Mind : 1 up Yet a further condition of the creative growth of the mind is moral integrity . . . Our thinking is bound with our characters as morally responsible people . Yet Coleridge can distinguish between the kind of ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely mind moral murder nature particular passage perhaps phrase play poetry political present Professor question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth values whole