Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 48
Pagina 9
... mind of the reader is thoroughly ' roused and awakened ' [ 7 ] , that meanings from below the level of ' plot ' and ' character ' take form as a living struc- ture . If that structure of meaning seems especially closely connected with ...
... mind of the reader is thoroughly ' roused and awakened ' [ 7 ] , that meanings from below the level of ' plot ' and ' character ' take form as a living struc- ture . If that structure of meaning seems especially closely connected with ...
Pagina 211
... Mind : 1 up Yet a further condition of the creative growth of the mind is moral integrity . . . Our thinking is bound with our characters as morally responsible people . Yet Coleridge can distinguish between the kind of ...
... Mind : 1 up Yet a further condition of the creative growth of the mind is moral integrity . . . Our thinking is bound with our characters as morally responsible people . Yet Coleridge can distinguish between the kind of ...
Pagina 246
... mind .... Minds sway'd by eyes are full of turpitude ' ( v . ii . 106-8 ) . 10. Here , as in the passage last quoted , there is the same sense of grasping at an experience that cannot be articulated ' with distinct breath ' ( cf. ' lose ...
... mind .... Minds sway'd by eyes are full of turpitude ' ( v . ii . 106-8 ) . 10. Here , as in the passage last quoted , there is the same sense of grasping at an experience that cannot be articulated ' with distinct breath ' ( cf. ' lose ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
5 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely mind moral murder nature particular passage perhaps phrase play poetry political present Professor question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth values whole