Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 67
... merely incidental , for it only em- phasizes what is in fact intrinsic to their relationship . The poetry of parting strikes a note almost identical with the poetry of anticipation . Injurious time now with a robber's haste Crams his ...
... merely incidental , for it only em- phasizes what is in fact intrinsic to their relationship . The poetry of parting strikes a note almost identical with the poetry of anticipation . Injurious time now with a robber's haste Crams his ...
Pagina 92
... mere summoners are thunderbolts ) , is yet like it in the exaction of merely retributive penalties . ' Unwhipp'd of justice ' is indeed one of those revealing phrases that , simply by what it takes for granted , sums up a fundamental ...
... mere summoners are thunderbolts ) , is yet like it in the exaction of merely retributive penalties . ' Unwhipp'd of justice ' is indeed one of those revealing phrases that , simply by what it takes for granted , sums up a fundamental ...
Pagina 190
... merely see the evil about him , does not merely react to it with loath- ing and rejection , he allows his vision to activate something within himself — say , if you like , his now feeling of corruption - and so to produce that state of ...
... merely see the evil about him , does not merely react to it with loath- ing and rejection , he allows his vision to activate something within himself — say , if you like , his now feeling of corruption - and so to produce that state of ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words