Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 38
... matter in hand . Shakespeare , we feel , is fully engaged in the imaginative evocation of the irreversible processes of time . If we were to try to sum- marize the plain sense of the poem we should have to say something like this ...
... matter in hand . Shakespeare , we feel , is fully engaged in the imaginative evocation of the irreversible processes of time . If we were to try to sum- marize the plain sense of the poem we should have to say something like this ...
Pagina 49
... matter before us . Yet to put the matter thus , necessary as it is , is to give a partial and one - sided impres- sion . Unqualified , the account so far given falsifies the imaginative impact of a play that is more lively , more ...
... matter before us . Yet to put the matter thus , necessary as it is , is to give a partial and one - sided impres- sion . Unqualified , the account so far given falsifies the imaginative impact of a play that is more lively , more ...
Pagina 222
Lionel Charles Knights. It does not matter that in Hamlet's mind the thought of suicide merges with the thought of killing the king ; what matters is the quite unambiguous sense of health giving way to disease , of a loss of purpose and ...
Lionel Charles Knights. It does not matter that in Hamlet's mind the thought of suicide merges with the thought of killing the king ; what matters is the quite unambiguous sense of health giving way to disease , of a loss of purpose and ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words