Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 88
... look at her . ' ' Still through the hawthorn blows the cold wind . ' This then is the Nature ' outside ' . What of human nature , the nature within ? Here too the direct revelation of the action is extended and reinforced - almost over ...
... look at her . ' ' Still through the hawthorn blows the cold wind . ' This then is the Nature ' outside ' . What of human nature , the nature within ? Here too the direct revelation of the action is extended and reinforced - almost over ...
Pagina 144
... look down , and this unnatural scene They laugh at . O my mother , mother ! O ! You have won a happy victory to Rome ; But , for your son , believe it , Ó , believe it , Most dangerously you have with him prevail'd , If not most mortal ...
... look down , and this unnatural scene They laugh at . O my mother , mother ! O ! You have won a happy victory to Rome ; But , for your son , believe it , Ó , believe it , Most dangerously you have with him prevail'd , If not most mortal ...
Pagina 161
... look back ... Leavis comments : ' At this climax of the play , as he sets himself irrevocably in his vindictive resolution , he reassumes formally his heroic self - dramatization — re- assumes the Othello of " the big wars that make ...
... look back ... Leavis comments : ' At this climax of the play , as he sets himself irrevocably in his vindictive resolution , he reassumes formally his heroic self - dramatization — re- assumes the Othello of " the big wars that make ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words