Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 7
... lines , in short , reverberate , and there is a process of what I. A. Richards calls interinanimation between the image on which we are focusing and some scores of others throughout the play . And this , surely , is one of the ways in ...
... lines , in short , reverberate , and there is a process of what I. A. Richards calls interinanimation between the image on which we are focusing and some scores of others throughout the play . And this , surely , is one of the ways in ...
Pagina 8
... lines from Macbeth are of course more compressed and more striking : ' light thickens ' has an element of sur- prise which is lacking in the trope about night's ' black contagious breath ' . And in the two and a half lines from Macbeth ...
... lines from Macbeth are of course more compressed and more striking : ' light thickens ' has an element of sur- prise which is lacking in the trope about night's ' black contagious breath ' . And in the two and a half lines from Macbeth ...
Pagina 70
... lines without sensing behind them the urgency of a whole personality in the toils , all these make plain how remote this is from the poetry of statement and exposition . The lines pound with an energy that can find no issue , and we ...
... lines without sensing behind them the urgency of a whole personality in the toils , all these make plain how remote this is from the poetry of statement and exposition . The lines pound with an energy that can find no issue , and we ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely mind moral murder nature particular passage perhaps phrase play poetry political present Professor question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth values whole