Some Shakespearean themesChatto & Windus, 1966 - 183 pagini |
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Pagina 128
... irony so deeply significant - the irony of making ' something nothing by augmenting it ' , that is , in Banquo's phrase , ' by seeking to augment it ' ( II . i . 27 ) ; and that central irony of losing in gaining - for Macbeth , like ...
... irony so deeply significant - the irony of making ' something nothing by augmenting it ' , that is , in Banquo's phrase , ' by seeking to augment it ' ( II . i . 27 ) ; and that central irony of losing in gaining - for Macbeth , like ...
Pagina 229
... irony ' tends to suggest some aloofness from life , a sort of pleasure in seeing through experiences that others find simply touching . Shakespeare's irony of course is not of this kind ; it is simply part of his supreme intelligence ...
... irony ' tends to suggest some aloofness from life , a sort of pleasure in seeing through experiences that others find simply touching . Shakespeare's irony of course is not of this kind ; it is simply part of his supreme intelligence ...
Pagina 230
... irony - a deeply tragic irony- in each of the scenes to which I just now referred . The abstract generality of Brutus's honest thoughts , the preoccupation with a political ' common good ' at the expense of humanity -- that is what the ...
... irony - a deeply tragic irony- in each of the scenes to which I just now referred . The abstract generality of Brutus's honest thoughts , the preoccupation with a political ' common good ' at the expense of humanity -- that is what the ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words