Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 14
Pagina 43
... insistence . Now just as the comedy of the first meeting of the conspirators in Part I was in keeping with the Falstaffian mode that so largely determined the tone of that play , so this scene is attuned to the appearance of a Falstaff ...
... insistence . Now just as the comedy of the first meeting of the conspirators in Part I was in keeping with the Falstaffian mode that so largely determined the tone of that play , so this scene is attuned to the appearance of a Falstaff ...
Pagina 124
... insistence . At the end of the play , when Macbeth thinks of what he has lost , it is not ' honour , wealth and ease in waning age ' ( Lucrece , 1. 142 ) but that which should accompany old age , As honour , 124 SOME SHAKESPEAREAN THEMES.
... insistence . At the end of the play , when Macbeth thinks of what he has lost , it is not ' honour , wealth and ease in waning age ' ( Lucrece , 1. 142 ) but that which should accompany old age , As honour , 124 SOME SHAKESPEAREAN THEMES.
Pagina 125
... insistence . Now as we have seen in relation to King Lear it is only when the essential needs and characteristics of human nature are given an absolute , unconditional priority , that nature in its widest sense can be invoked as an ...
... insistence . Now as we have seen in relation to King Lear it is only when the essential needs and characteristics of human nature are given an absolute , unconditional priority , that nature in its widest sense can be invoked as an ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
5 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely mind moral murder nature particular passage perhaps phrase play poetry political present Professor question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth values whole