Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 43
... insistence . Now just as the comedy of the first meeting of the conspirators in Part I was in keeping with the Falstaffian mode that so largely determined the tone of that play , so this scene is attuned to the appearance of a Falstaff ...
... insistence . Now just as the comedy of the first meeting of the conspirators in Part I was in keeping with the Falstaffian mode that so largely determined the tone of that play , so this scene is attuned to the appearance of a Falstaff ...
Pagina 58
... - Then everything includes itself in power ... ' For the rest ( in spite of some striking lines ) , the expansive insistence , the smooth unimpeded rhythms , and the general tone of a public address , denote 58 SOME SHAKESPEAREAN THEMES.
... - Then everything includes itself in power ... ' For the rest ( in spite of some striking lines ) , the expansive insistence , the smooth unimpeded rhythms , and the general tone of a public address , denote 58 SOME SHAKESPEAREAN THEMES.
Pagina 155
... insistence is how men come to make false or distorted judgments about other persons or about the world at large - what it is in their own natures that makes them capable of being deceived . This preoccupation seems to be present in two ...
... insistence is how men come to make false or distorted judgments about other persons or about the world at large - what it is in their own natures that makes them capable of being deceived . This preoccupation seems to be present in two ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
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action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely mind moral murder nature particular passage perhaps phrase play poetry political present Professor question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth values whole