Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 96
... immediately after the first of them that Cordelia reappears , seeking her father , the nadir of Lear's vision is still to come . 5 In the two great tirades addressed to the blind Glouces- ter ( IV . vi . 110 ff . , and 151 ff . ) Lear ...
... immediately after the first of them that Cordelia reappears , seeking her father , the nadir of Lear's vision is still to come . 5 In the two great tirades addressed to the blind Glouces- ter ( IV . vi . 110 ff . , and 151 ff . ) Lear ...
Pagina 119
... immediately after we have been told of Lear's purgatorial shame , Cordelia enters , ' with drum and colours ' , seeking her father . CORDELIA . Alack ! ' tis he : why , he was met even now As mad as the vex'd sea ; singing aloud ; Crown ...
... immediately after we have been told of Lear's purgatorial shame , Cordelia enters , ' with drum and colours ' , seeking her father . CORDELIA . Alack ! ' tis he : why , he was met even now As mad as the vex'd sea ; singing aloud ; Crown ...
Pagina 121
... immediately blend with those of ' sunshine and rain at once ' [ 7 ] . What we are given in the poetry is a sure and sensitive poise , and it is Cordelia's integrity - her tenderness , as we have seen , at one with her strength - that ...
... immediately blend with those of ' sunshine and rain at once ' [ 7 ] . What we are given in the poetry is a sure and sensitive poise , and it is Cordelia's integrity - her tenderness , as we have seen , at one with her strength - that ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words