Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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... imaginative vision . In Chapter One I glance at some significant shifts of direction in Shakespeare criticism of the last thirty years , in order to make plain the assumptions on which I have proceeded in trying to elicit some of the ...
... imaginative vision . In Chapter One I glance at some significant shifts of direction in Shakespeare criticism of the last thirty years , in order to make plain the assumptions on which I have proceeded in trying to elicit some of the ...
Pagina 119
... imaginative correspondence goes far beyond the use of selected analogies and implies a symbolic equivalence - indeed a relationship - between what is ' natural ' for man and what is ' natural ' in the simplest and widest sense of the ...
... imaginative correspondence goes far beyond the use of selected analogies and implies a symbolic equivalence - indeed a relationship - between what is ' natural ' for man and what is ' natural ' in the simplest and widest sense of the ...
Pagina 198
... imaginative facts as we know them ; for what it ignores is the pain and the passion — the genuine pain of loss and the genuine passion of revulsion against what is really evil . Max Plowman perhaps , in an essay called ' Some Values in ...
... imaginative facts as we know them ; for what it ignores is the pain and the passion — the genuine pain of loss and the genuine passion of revulsion against what is really evil . Max Plowman perhaps , in an essay called ' Some Values in ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
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action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely mind moral murder nature particular passage perhaps phrase play poetry political present Professor question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth values whole