Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 31
... honour means much or little depends on the person using it . Hotspur is of course the chief exponent of Honour in the conventional sense , and the forced rhetoric with which he presents his ideal is comment enough . By heaven , methinks ...
... honour means much or little depends on the person using it . Hotspur is of course the chief exponent of Honour in the conventional sense , and the forced rhetoric with which he presents his ideal is comment enough . By heaven , methinks ...
Pagina 33
... honour ' , he does represent the life of the body , intent on its own preserva- tion and the satisfaction of its instincts , and his philosophy is summed up in the famous soliloquy before Shrewsbury . > Well , ' tis no matter ; honour ...
... honour ' , he does represent the life of the body , intent on its own preserva- tion and the satisfaction of its instincts , and his philosophy is summed up in the famous soliloquy before Shrewsbury . > Well , ' tis no matter ; honour ...
Pagina 225
... honour's at the stake . Professor Dover Wilson paraphrases the last sentence : ' Fighting for trifles is mere pugnacity , not greatness ; but it is greatness to fight instantly and for a trifle when honour is at stake ' . Right enough ...
... honour's at the stake . Professor Dover Wilson paraphrases the last sentence : ' Fighting for trifles is mere pugnacity , not greatness ; but it is greatness to fight instantly and for a trifle when honour is at stake ' . Right enough ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words