Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 21
... hand . In Henry VI Shakespeare uses more than one style , but the following , from the Second Part ( II . vi ) , is ... hands I have deserved no pity . We have only to put beside this a passage from the open- ing soliloquy of Richard III ...
... hand . In Henry VI Shakespeare uses more than one style , but the following , from the Second Part ( II . vi ) , is ... hands I have deserved no pity . We have only to put beside this a passage from the open- ing soliloquy of Richard III ...
Pagina 24
... hand which had the strength , even at your door , To cudgel you and make you take the hatch , To dive like buckets in concealed wells , To crouch in litter of your stable planks , To lie like pawns lock'd up in chests and trunks , To ...
... hand which had the strength , even at your door , To cudgel you and make you take the hatch , To dive like buckets in concealed wells , To crouch in litter of your stable planks , To lie like pawns lock'd up in chests and trunks , To ...
Pagina 88
... hand ! Why dost thou lash that whore ? Strip thine own back ... ( Iv . vi . 162 ff . ) lust and sadism are — with superb insight - identified . The world of appearances is based on artificial and unreal distinctions - ' Robes and furr'd ...
... hand ! Why dost thou lash that whore ? Strip thine own back ... ( Iv . vi . 162 ff . ) lust and sadism are — with superb insight - identified . The world of appearances is based on artificial and unreal distinctions - ' Robes and furr'd ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
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action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely mind moral murder nature particular passage perhaps phrase play poetry political present Professor question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth values whole