Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 21
... hand . In Henry VI Shakespeare uses more than one style , but the following , from the Second Part ( II . vi ) , is ... hands I have deserved no pity . open- We have only to put beside this a passage from the ing soliloquy of ...
... hand . In Henry VI Shakespeare uses more than one style , but the following , from the Second Part ( II . vi ) , is ... hands I have deserved no pity . open- We have only to put beside this a passage from the ing soliloquy of ...
Pagina 24
... hand which had the strength , even at your door , To cudgel you and make you take the hatch , To dive like buckets in concealed wells , To crouch in litter of your stable planks , To lie like pawns lock'd up in chests and trunks , To ...
... hand which had the strength , even at your door , To cudgel you and make you take the hatch , To dive like buckets in concealed wells , To crouch in litter of your stable planks , To lie like pawns lock'd up in chests and trunks , To ...
Pagina 88
... hand ! Why dost thou lash that whore ? Strip thine own back ... ( Iv . vi . 162 ff . ) lust and sadism are — with superb insight - identified . The world of appearances is based on artificial and unreal distinctions - Robes and furr'd ...
... hand ! Why dost thou lash that whore ? Strip thine own back ... ( Iv . vi . 162 ff . ) lust and sadism are — with superb insight - identified . The world of appearances is based on artificial and unreal distinctions - Robes and furr'd ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words