Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 84
... force the hidden conflict in Lear into consciousness , and , with the fullest possible knowledge of the relevant facts , to compel a choice , but to force each one of us to confront directly the question put by Lear as Everyman , ' Who ...
... force the hidden conflict in Lear into consciousness , and , with the fullest possible knowledge of the relevant facts , to compel a choice , but to force each one of us to confront directly the question put by Lear as Everyman , ' Who ...
Pagina 85
... force and cunning at his com- mand : " Thou , Nature , art my goddess ' ( 1. ii . 1 ) ; ' All with me's meet that I can fashion fit ' ( 1. ü . 191 ) . It is into the world of indifferent natural forces , so glibly invoked by Edmund ...
... force and cunning at his com- mand : " Thou , Nature , art my goddess ' ( 1. ii . 1 ) ; ' All with me's meet that I can fashion fit ' ( 1. ü . 191 ) . It is into the world of indifferent natural forces , so glibly invoked by Edmund ...
Pagina 90
... force it is that neither man's reason nor his powers of perception function in isolation from the rest of his personality : quantum sumus , scimus [ 15 ] . How Lear feels , in short , is as important as what he feels , for the final ...
... force it is that neither man's reason nor his powers of perception function in isolation from the rest of his personality : quantum sumus , scimus [ 15 ] . How Lear feels , in short , is as important as what he feels , for the final ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words