Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 58
... follows ; each thing meets In mere oppugnancy : the bounded waters Should lift their bosoms higher than the shores , And make a sop of all this solid globe : Strength should be lord of imbecility , And the rude son should strike his ...
... follows ; each thing meets In mere oppugnancy : the bounded waters Should lift their bosoms higher than the shores , And make a sop of all this solid globe : Strength should be lord of imbecility , And the rude son should strike his ...
Pagina 86
... follows . Whatever Lear thinks of himself , one side of his nature is already com- mitted - even before he is thrust ... follow- ing , represent a two - fold process of discovery - of the ' nature ' without and within . No summary can ...
... follows . Whatever Lear thinks of himself , one side of his nature is already com- mitted - even before he is thrust ... follow- ing , represent a two - fold process of discovery - of the ' nature ' without and within . No summary can ...
Pagina 133
... follow the course of Shakespeare's development . The first , already touched on , is that the assured judgment of the later tragedies supervened on a long process of personal questioning . Naturally I do not mean that Shakespeare had to ...
... follow the course of Shakespeare's development . The first , already touched on , is that the assured judgment of the later tragedies supervened on a long process of personal questioning . Naturally I do not mean that Shakespeare had to ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely mind moral murder nature particular passage perhaps phrase play poetry political present Professor question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth values whole