Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 31
Pagina 98
... feel , and in feeling to see ; and under Edgar's guidance he comes as near as he may to thoughts that are not only ' patient ' but ' free ' [ 20 ] . At that point in the play which , it may be recalled , this consideration of Gloucester ...
... feel , and in feeling to see ; and under Edgar's guidance he comes as near as he may to thoughts that are not only ' patient ' but ' free ' [ 20 ] . At that point in the play which , it may be recalled , this consideration of Gloucester ...
Pagina 107
... feel . Now what our seeing has been directed towards is nothing less than what man is . The imaginative discovery that is the play's essence has thus involved the sharpest possible juxta- position of rival conceptions of ' Nature ' . In ...
... feel . Now what our seeing has been directed towards is nothing less than what man is . The imaginative discovery that is the play's essence has thus involved the sharpest possible juxta- position of rival conceptions of ' Nature ' . In ...
Pagina 171
... feel that in his exchanges with Timon in IV , iii he makes a ' placing ' comment : " The middle of humanity thou never knewest , but the extremity of both ends . An thou hadst hated meddlers sooner , thou should'st have loved thyself ...
... feel that in his exchanges with Timon in IV , iii he makes a ' placing ' comment : " The middle of humanity thou never knewest , but the extremity of both ends . An thou hadst hated meddlers sooner , thou should'st have loved thyself ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
5 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely mind moral murder nature particular passage perhaps phrase play poetry political present Professor question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth values whole