Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
Din interiorul cărții
Rezultatele 1 - 3 din 37
Pagina 39
... experience , though only in such a way that experience - what is intimately known - feels itself able to follow in its tracks ; and both Sonnet CXVI ( ' Let me not to the marriage of true minds ' ) and Sonnet CXXIV ( ' If my dear love ...
... experience , though only in such a way that experience - what is intimately known - feels itself able to follow in its tracks ; and both Sonnet CXVI ( ' Let me not to the marriage of true minds ' ) and Sonnet CXXIV ( ' If my dear love ...
Pagina 56
... experience came to him was soaked in feelings and shot through with perceptions that crystallized out as the themes of appear- ance , death , and so on . But the condition of the defining that his art is , was that it should remain as ...
... experience came to him was soaked in feelings and shot through with perceptions that crystallized out as the themes of appear- ance , death , and so on . But the condition of the defining that his art is , was that it should remain as ...
Pagina 133
... experience that -for all the intensity with which they are expressed — we recognize as coming very close indeed to the common run of human experience . The themes of the two plays are indeed complementary in obvious but interesting ways ...
... experience that -for all the intensity with which they are expressed — we recognize as coming very close indeed to the common run of human experience . The themes of the two plays are indeed complementary in obvious but interesting ways ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
5 alte secțiuni nu sunt arătate
Alte ediții - Afișează-le pe toate
Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action answer appearance aspects attitudes aware bring CHAPTER character close comes common complex concern consciousness course criticism death defined direction directly doth effect Elizabethan essay essential evil experience expression fact feel final follow Fool force give given Gloucester Hamlet hand hath heart Henry honour human imagery imaginative insistence interest kind King Lear Lear's less lines living look Macbeth madness matter means merely mind moral murder nature particular passage perhaps phrase play poetry political present Professor question reason references relation remarked represent scene seems sense Shakespeare significance simply soliloquy Sonnets speak speech spirit stand suggest taken thee theme things thou thought tion tragedies Troilus true truth values whole