Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 74
... essential significance as I see it . But before passing from the one to the other , and as a convenient way of bringing to focus this intrinsic significance , I should like briefly to consider the play in its third aspect , as ...
... essential significance as I see it . But before passing from the one to the other , and as a convenient way of bringing to focus this intrinsic significance , I should like briefly to consider the play in its third aspect , as ...
Pagina 119
Lionel Charles Knights. nature , if in some essential ways it is set over against nature , how can mind find itself in nature , as there is such abundant testimony that it does ? How is it that in Macbeth ( to be specific ) essential ...
Lionel Charles Knights. nature , if in some essential ways it is set over against nature , how can mind find itself in nature , as there is such abundant testimony that it does ? How is it that in Macbeth ( to be specific ) essential ...
Pagina 178
... essential nature under the impact of great adversity and great perturbation . At the heart of it is the per- ception that man's essential nature cannot be satisfied by anything less than that goodness which is the desired health of the ...
... essential nature under the impact of great adversity and great perturbation . At the heart of it is the per- ception that man's essential nature cannot be satisfied by anything less than that goodness which is the desired health of the ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words