Some Shakespearean ThemesChatto & Windus, 1966 - 183 pagini |
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Pagina 22
... effect is remarkably concise and pointed . Richard's state of mind is conveyed primarily through a series of sharp visual touches directly expressed - the vision of himself as " strutting " ludicrously before a " wanton , ambling nymph ...
... effect is remarkably concise and pointed . Richard's state of mind is conveyed primarily through a series of sharp visual touches directly expressed - the vision of himself as " strutting " ludicrously before a " wanton , ambling nymph ...
Pagina 185
... effect of these on a particular kind of consciousness . It is this that is the centre of interest , and the question that is so often pursued , almost , as it were , in isolation from the full imaginative effect , Why does Hamlet delay ...
... effect of these on a particular kind of consciousness . It is this that is the centre of interest , and the question that is so often pursued , almost , as it were , in isolation from the full imaginative effect , Why does Hamlet delay ...
Pagina 228
... effect . But is it really so ? If we take the view that this is a tragic hero who has indeed lost his way and who will shortly lose his life , but who has in some fundamental way come through , are we not in danger of losing sight of a ...
... effect . But is it really so ? If we take the view that this is a tragic hero who has indeed lost his way and who will shortly lose his life , but who has in some fundamental way come through , are we not in danger of losing sight of a ...
Cuprins
First Observations | 16 |
The Sonnets and King Henry | 35 |
The Theme of Appearance and Reality in Troilus | 55 |
Drept de autor | |
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Some Shakespearean Themes and An Approach to ‘Hamlet’: And An Approach to ... Lionel Charles Knights Previzualizare limitată - 1966 |
Termeni și expresii frecvente
action Antony Antony and Cleopatra Apemantus appearance attitudes aware Boethius C. S. Lewis CHAPTER character Cleopatra comedy consciousness Cordelia Coriolanus course criticism death defined direction doth dramatic Elizabethan emotional essay evil experience explicit F. R. Leavis fact Falstaff feel Fool force give Gloucester Goneril Greek Hamlet hath heart heaven Henry honour human Iago imagery imaginative insistence irony kind King Lear Lear's lines living lord Macbeth madness man's Max Plowman means mind moral murder nature Nature's night Ophelia Othello passage passion pattern philosophic phrase play play's poet poetic poetry political present Professor public world question reality reason Regan relation scene seems sense Shake Shakespeare significance simply soliloquy Sonnets speak speech spirit suggest T. S. Eliot thee theme things thou thought time's Timon tion tone tragedies Traversi Troilus and Cressida Troilus's truth Ulysses unnatural whole Wilson Knight words